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Thursday 24 September | | 14:00 | Christoph Holzhey (ICI Berlin): Greetings and Welcome
Fabio Camilletti, Manuele Gragnolati, Fabian Lampart: Opening Remarks | Paradisi | 14:15 | Rachel Jacoff (Wellesley): Reclaiming Paradiso: Dante in the Poetry of James Merrill and Charles Wright
Erminia Ardissino (Toronto): "Perché mi vince il lume d'esta stella". Giovanni Giudici's Rewriting of Dante's Paradiso for the Theatre
Francesca Southerden (Oxford): 'Per-tras-versioni' dantesche:
Post-paradisiacal Constellations in the Poetry of Vittorio Sereni and Andrea Zanzotto | | 16:00 | Break | Subjectivity | 16:30 | Fabio Camilletti (Berlin): The Bipolarity of Angélisme: Beatrice, Desire and Sublimation from Gide to Lacan
Manuele Gragnolati (Oxford): Rewriting Dante after Freud and the Shoah: Giorgio Pressuburger's Nel regno oscuro
Rebecca West (Chicago): Wives and Lovers in Dante and Montale | | 19:00 | Piero Boitani (Roma): Dante in Ireland: Yeats, Joyce, Heaney | Friday 25 September | Canonizations | 10:00 | Dennis Looney (Pittsburgh): Stretching the Canon in African American Appropriations of Dante from the Nineteenth Century to Today
Federica Pich (Pisa): Dante's "Strangeness": The Commedia and the late Twentieth-Century Debate on the Literary Canon | | 11:10 | Break | Bodies | 11:40 | Nicola Gardini (Oxford): In the Name of Dante: Body and Sex in Twentieth-Century American Gay Poetry
James Miller (Western Ontario): Ghostwriting Dante: Derel Jarman's Queer Appropriations of the Inferno | | 12:50 | Lunch | Modernities | 14:30 | Ray Fleming (Florida State): Thomas Mann's Über Dante and the Politics of Reading
Teresa Prudente (Torino): "Misi me per l'alto mare aperto": Personality and Impersonality in Virginia Woolf's Reading of Dante's Allegorical Language
Cornelia Wild (München): The Caring Dead. Auerbach's Desire for the Mundane in Dante's Inferno | | 16:15 | Break | Visualizations | 16:45 | Ronald De Rooy (Amsterdam): A Cardboard Dante. The Metropolis of Hell Revisited
Hannah Lisa Linsmaier (Potsdam): Comics Capturing the Comedy
Antonella Francini (Firenze): Transferring Dante: Robert Rauschenberg's 34 Drawings for the Inferno | | 19:00 | Vernissage: Himmel und Hölle. 100 Drawings on Dante's Divina Commedia. By Hiltrud Gauf (Köln) with an introduction by Sabine Schrader (Innsbruck) | Saturday 26 September | Catabasis | 10:00 | Angela Merte-Rankin (Maynooth): Dante's Inferno and Walter Benjamin's Cities: Considerations of Place, Experience and Media
Federico Sabatini (Torino): Imagination, Memory and Language: Dante's Influence on Samuel Beckett
Florian Trabert (Düsseldorf): "Il mal seme d'Adamo". Dante's Inferno and the Problem of Literary Representation of Evil in Thomas Mann's Doktor Faustus and Wolfgang Koeppen's Der Tod in Rom | | 11:45 | Break | Structures | 12:15 | Patricia Feise-Mahnkopp (Oldenburg): The Matrix-Trilogy: Postmodern Pastiche or Postsecular Rearticulation of Dante's Divina Commedia?
Tristan Kay (Oxford): Dante's Commedia as Anti-Model in Cesare Pavese's La luna e i falò | | 13:30 | Lunch | Manipulations and Distortions | 15:00 | Nick Havely (York): "Hell on a Paying Basis": Morality and the Market in Harry Lachman's Dante's Inferno (1935) Davide Luglio (Paris): "Anziché allargare, dilaterai!".
Allegoria e mimesis dalla Commedia di Dante alla Divina Mimesis di P.P. Pasolini
Manuela Marchesini (Texas A&M University): From Agambern's Italian Category of Comedy to Profanation as the Political Task of Modernity: Dante in Gadda's Pasticciaccio and Pasolini's Petrolio |
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